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Renaut de Montauban and the Pseudo-Turpin’s Renaut d’Aubépine: Two Names for One Person?

Identifieur interne : 000A68 ( Main/Exploration ); précédent : 000A67; suivant : 000A69

Renaut de Montauban and the Pseudo-Turpin’s Renaut d’Aubépine: Two Names for One Person?

Auteurs : Gustav Adolf Beckmann [Allemagne]

Source :

RBID : ISTEX:CA38BA83B0FA3BFD29973B0A3C7228890ABC00C7

English descriptors

Abstract

Abstract: Is the Pseudo-Turpin’s enigmatic Rainaldus de Albo Spino just an early name of the later Renaut de Montauban of high renown? The arguments commonly offered against this identification are disproved, and three new arguments based on a closer analysis of the Pseudo-Turpin text itself make a positive answer almost unavoidable. The emergence of the toponym ‘Montauban’ in twelfth-century reality and literature is examined in detail, and a certain metamorphosis of the ideas underlying the toponym is traced through the versions of the Renaut de Montauban from the twelfth to the fourteenth century. To round off the picture, the two other constituent elements of the Renaut beside the part of the protagonist, i.e. the character of Maugis and the four brothers’ theme, are also briefly studied in a genetic perspective.

Url:
DOI: 10.1007/s11061-008-9132-x


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

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<term>Apela renaut</term>
<term>Beckmann</term>
<term>Belin</term>
<term>Bella spina</term>
<term>Bordeaux</term>
<term>Brother theme</term>
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<term>Codex compostellanus</term>
<term>Dutch lorreinen</term>
<term>Early name</term>
<term>Escort ferraut</term>
<term>Etymology</term>
<term>Fadet joglar</term>
<term>First editor</term>
<term>First scene</term>
<term>French aubain</term>
<term>French translation</term>
<term>Gasca queirazza</term>
<term>Gaydon</term>
<term>Gesta karoli magni</term>
<term>Geste</term>
<term>High renown</term>
<term>Intermediate stage</term>
<term>Jacques thomas</term>
<term>Latin model</term>
<term>Lorreinen</term>
<term>Maugis</term>
<term>Mediaeval academy</term>
<term>Montauban</term>
<term>Monte albano</term>
<term>More astonishing</term>
<term>More plausible</term>
<term>Ogier</term>
<term>Other constituent element</term>
<term>Other hand</term>
<term>Passim</term>
<term>Philippe mousket</term>
<term>Present context</term>
<term>Pseudoturpin</term>
<term>Quatre fils aymon</term>
<term>Rainaldus</term>
<term>Rare word</term>
<term>Renaut</term>
<term>Resolute message</term>
<term>Roche pent</term>
<term>Roland</term>
<term>Romanica gandensia</term>
<term>Roncevaux</term>
<term>Roncevaux tradition</term>
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<term>Spino</term>
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<term>Verelst</term>
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<div type="abstract" xml:lang="en">Abstract: Is the Pseudo-Turpin’s enigmatic Rainaldus de Albo Spino just an early name of the later Renaut de Montauban of high renown? The arguments commonly offered against this identification are disproved, and three new arguments based on a closer analysis of the Pseudo-Turpin text itself make a positive answer almost unavoidable. The emergence of the toponym ‘Montauban’ in twelfth-century reality and literature is examined in detail, and a certain metamorphosis of the ideas underlying the toponym is traced through the versions of the Renaut de Montauban from the twelfth to the fourteenth century. To round off the picture, the two other constituent elements of the Renaut beside the part of the protagonist, i.e. the character of Maugis and the four brothers’ theme, are also briefly studied in a genetic perspective.</div>
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